Appendix/CGH/ParallelApertures

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CGH: Apertures that are Parallel to the Image Screen

Computer Generated Holography

Apertures Parallel to Image Screen


Part I:   One-Dimensional Apertures

 


Part II:   Two-Dimensional Apertures

 


Part III:   Relevance to Holograms

 


Before diving into the mathematical underpinnings of digital (computer-generated) holography, it is instructive to view the following YouTube video. It presents an MIT lecture that demonstrates what diffraction patterns result from shining a laser beam through a "single-slit" or a "multiple-slit" experimental setup.

YouTube video: click here
Optics: Fraunhofer diffraction — single and multiple slits

MIT Professor Shaoul Ezekiel
MITvideo:Professor Shaoul Ezekiel

MITvideo_DiffractionPattern

Propagation of Light

Here we reference heavily the traveling, wave-like nature of light and, as is customary, use c to represent its speed of propagation through space. Consider a single ray of light of wavelength, λ, that is traveling in the x-direction. Its amplitude, a, will vary with time in a sinusoidal fashion as described by the equation,

a(x)=a0cos(2πxλ+ϕ0),

where:  the light-wave's peak-to-peak brightness is 2a0; ϕ0 is the "phase" that the oscillatory wave displays at a reference location, x=0, when the reference time, t=0; and x=ct. As is demonstrated, for example, in our accompanying discussion of various, equivalent, Fourier series expressions, this equation can be usefully rewritten in a number of other forms.

One-Dimensional Aperture

General Concept

Figure 1
Chapter1Fig1

Consider the amplitude (and phase) of light that is incident at a location y1 on an image screen that is located a distance Z from a slit of width w. First, as illustrated in Figure 1, consider the contribution due only to two rays of light:  one coming from location Y1 at the top edge of the slit (a distance D1 from point y1 on the screen) and another coming from location Y2 at the bottom edge of the slit (a distance D2 from the same point on the screen).

The complex number, A, representing the light amplitude and phase at y1 will be,

A(y1)

=

a(Y1)ei(2πD1/λ+ϕ1)+a(Y2)ei(2πD2/λ+ϕ2),

where, λ is the wavelength of the light, a(Yj) is the brightness of the light at point Yj on the aperture, and ϕj is the phase of the light as it leaves point Yj.

Now, if we consider for the moment that at all locations on the aperture, Yj, the light has a brightness a(Yj)=1 and a phase ϕj=0, then,

A(y1)

=

A0[1+ei(2π/λ)(D2D1)],

where, A0=ei(2πD1/λ). So the question of whether the amplitude at y1 on the image screen will be bright due to constructive interference or faint as a result of destructive interference comes down to a question of what the phase difference is between the two distances D1 and D2 where,

Dj

[(Yjy1)2+Z2]1/2

 

=

[Z2+y122y1Yj+Yj2]1/2

 

=

L[12y1YjL2+Yj2L2]1/2

and,

L

[Z2+y12]1/2.

Utility of FFT Techniques

Let's rewrite the first of our above equations in a form that takes into account many more than just two points along the aperture. That is,

A(y1)

=

jajei(2πDj/λ+ϕj),

 

=

jaj[cos(2πDjλ+ϕj)+isin(2πDjλ+ϕj)].

Note that this is identical to the expression,

A(y1)

=

jaj[cosϕj+isinϕj][cos(2πDjλ)+isin(2πDjλ)].

In the more restrictive case when we assume that everywhere along the aperture the phase ϕj=0, we have,

A(y1)

=

jajei(2πDj/λ),

 

=

jaj[cos(2πDjλ)+isin(2πDjλ)],

where, in each of these expressions, we have replaced a(Yj) with aj. After acknowledging that the function, A(y1), is complex — with e(A) being given by the sum over cosine terms and m(A) being given by the sum over sine terms — it is clear that the brightness of each point on the image screen is given by (the square root of) A multiplied by its complex conjugate, A*, that is, by the expression, (AA*)1/2. Figures 2 & 3 show how this brightness (amplitude) varies across the image screen for the case of a monochromatic light of wavelength, λ=500 nanometers, impinging on a single slit that is 1 mm in width; for all curves, the amplitude has been determined by summing over jmax=51 equally spaced points across the slit. The results displayed in Figure 2 are for an image screen that is placed Z=1 meter from the slit, while Figure 3 displays results for an image screen that is placed a distance, Z=10 m from the slit.

Figure 2:   w=1mm;Z=1m;λ=500nm;jmax=51

First Plot of Single-Slit Diffraction Pattern

Two curves appear in both Figure 2 and Figure 3. The solid green curve was obtained by plugging the precise, "nonlinear" determination of Dj — that is, the mathematical expression for Dj, as given above — into the arguments of the trigonometric functions, while the dotted red curve was obtained by using the approximate, "linearized" expression for Dj, as will now be described.

Figure 3:   w=1mm;Z=10m;λ=500nm;jmax=51

Second Plot of Single-Slit Diffraction Pattern


If we assume that, for all j,

|YjL|1

— in the present context, this generally will be equivalent to assuming that the width of the aperture is much much less than the distance (Z) separating the aperture from the image screen — we can drop the quadratic term in favor of the linear one in the above expression for Dj and deduce that,

Dj

L[12y1YjL2]1/2

 

L[1y1YjL2].

Hence, we have,

A(y1)

A0jajei[2πy1Yj/(λL)],

 

=

A0jaj[cos(2πy1YjλL)isin(2πy1YjλL)],

where, now, A0=ei2πL/λ.

Notice that this expression matches what we have referred to elsewhere as the Complex Fourier Series Expression. When written in this form, it should immediately be apparent why discrete Fourier transform techniques (specifically FFT techniques) are useful tools for evaluation of the complex amplitude, A. See further elaboration below.

Analytic Result

If we consider the limit where the aperture shown in Figure I.1 is divided into an infinite number of divisions, then we can convert the summation in the above equations into an integral running between the limits, Y2 and Y1. Specifically, linearized expression immediately above becomes,

A(y1)

A0a0ei[2πy1Y/(λL)]dY,

where, again, we have returned to the case where the aperture is assumed to be uniformly bright and set a(Y) = a0dY. (It should be understood that a0 is the brightness of the aperture per unit length.) If we now make the substitution,

Θ2πy1YλL,

this integral expression takes the form,

A(y1)

A0[a0w2β1]Θ2Θ1eiΘdΘ,

where the limits of integration are, respectively,

Θ2

2πy1Y2λL=ϑ1β1,

Θ1

2πy1Y1λL=ϑ1+β1,

and,

β1

πy1λL[Y1Y2]=πy1wλL,

ϑ1

πy1λL[Y1+Y2].

This definite integral can be readily evaluated, giving,

A(y1)

(i)1A0[a0w2β1][eiΘ1eiΘ2]

 

=

iA0[a0w2β1]eiϑ1[eiβ1e+iβ1]

 

=

[A0a0weiϑ1]sinβ1β1=[A0a0weiϑ1]sinc(β1).

The last two lines have been derived by realizing that, for any angle χ,

eiχe+iχ

=

2isin(χ);

and the "sinc" function,

sinc(χ)

=

sinχχ.

Notice that the center of the aperture is used to define the origin of the Y (and y) coordinate axis so that Y2 = -Y1, as illustrate in Figure I.1; then ϑ1=0 and the amplitude, A(y1), has no complex component. If the aperture is not centered as depicted in Figure I.1, the angle ϑ1 simple serves to introduce a phase shift in the evaluation of the amplitude.

Although this problem was solved for a specific location, y1, on the image screen, we see that the sinc function solution can readily be evaluated for any other location on the screen without having to redo the integral.

Location of the Dark Fringe(s)

As has been described in multiple online references, the locations across the image screen where complete destructive interference occurs can be determined straightforwardly using geometric relationships. For example, in terms of the angle, θ, defined such that,

tanθ=y1Z,

the distance from the central brightness peak to the first location where the brightness/amplitude goes to zero — i.e., the location of the first dark fringe — is given by the relation,

sinθ=λw.

(For each successive fringe, labeled by the positive integer, m, the relation is, sinθm=mλ/w.) Hence, acknowledging that usually λ/w1, we find that,

y1|1stfringe

=

Ztanθ=Zsinθ[1sin2θ]1/2

 

=

λZw[1(λw)2]1/2

 

λZw.

In the context of Figure 3, this means that, y1|1stfringe=5 millimeters, while, in Figure 2, y1|1stfringe=0.5 millimeters — in both cases, this is in agreement with the plotted linearized amplitude curves.

Parallels With Standard Fourier Series

Let's draw parallels between the above discussion of the single-slit diffraction pattern and our separate presentation of the standard treatment of Fourier Transforms.

Standard Fourier Transform Treatment

Single-Slit (Linearized) Diffraction
Replace L with 𝒟

am

=

2LmaxL=1Lmaxρ(θL)cos[m(2πLLmax)],

bm

=

2LmaxL=1Lmaxρ(θL)sin[m(2πLLmax)].

It is sometimes useful to view am and bm as, respectively, the real and imaginary components of a complex variable; for example,

B(m)

=

amibm,

in which case,

Amplitude

=

[am2+bm2]1/2,

Phase

=

tan1[bmam]

A(y1)

=

A0[e(A)im(A)],

where,

e[A(nΔy1)]

=

jajcos[nΔy1(2πλ𝒟)jΔY],

m[A(nΔy1)]

=

jajsin[nΔy1(2πλ𝒟)jΔY].

A comparison between the two discussions reveals the following variable mappings:

m

n

L

j

2πLmax

Δy1(2πλ𝒟)ΔY

ρ(θL)

a(Yj)


Drawing from an accompanying discussion, the corresponding complex Fourier series expression is,

f(x)

=

12m=m=+B(m)eiωmx,

where, for m=0,±1,±2,±3,,

ωm

=

mπL.

In other words,

f(x)

=

12[B(m)eiωmx]m=0+12m=1m=+[B(m)eiωmx+B(m)eiωmx]

 

=

B(0)2[cos(ωmx)+isin(ωmx)]m=0+12m=1m=+{(amibm)[cos(ωmx)+isin(ωmx)]+(am+ibm)[cos(ωmx)isin(ωmx)]}

 

=

B(0)2+12m=1m=+{am[cos(ωmx)+isin(ωmx)]ibm[cos(ωmx)+isin(ωmx)]

 

 

+am[cos(ωmx)isin(ωmx)]+ibm[cos(ωmx)isin(ωmx)]}

 

=

B(0)2+12m=1m=+{amcos(ωmx)+iamsin(ωmx)ibmcos(ωmx)+bmsin(ωmx)

 

 

+amcos(ωmx)iamsin(ωmx)+ibmcos(ωmx)+bmsin(ωmx)}

 

=

B(0)2+m=1m=+{amcos(ωmx)+bmsin(ωmx)}.



Now, carry out the inverse transform.

Standard Fourier Transform Treatment

Single-Slit (Linearized) Diffraction
Replace L with 𝒟

ρ(θL)

=

a02+m=1Lmax/2{amcos[m(2πLLmax)]+bmsin[m(2πLLmax)]}

a(Yj)

=

e(An=0)2+A0n=1nmax/2{e(An)cos[n(2πjλ𝒟)Δy1ΔY]+m(An)sin[n(2πjλ𝒟)Δy1ΔY]}

Parallels With Example #2

This "one dimensional aperture" analysis should exhibit features that strongly resemble the features that appear in our accompanying discussion of the Fourier series associated with a "square wave". In both cases — after performing both a Fourier transform and the inverse transform — the ultimate series expression that will represent the (square wave) amplitude across the aperture will take the form,

f(x)

=

a02+n=1[ancos(nπxL)+bnsin(nπxL)].

This function clearly repeats itself at spatial intervals of x±2L. Hence, we must acknowledge that, even if the initial state is intended to represent a single aperture, the inverse transform will produce an infinite set of identical apertures that are spaced (center-to-center) at intervals of 2L. We can presumably arrange to have successive apertures of width, 2c, widely spaced from one another by picking a value of |c/L|1. (Reference, also, frame a of Figure 5, below, which depicts a uniformly illuminated (yellow), two-dimensional aperture whose horizontal width, as labeled, is 2c0; the aperture has been cut into a mat of width, 2L0.)

In the "square wave" analysis in which the brightness across the aperture is specified by a continuous function, the amplitude, an, of each Fourier mode, n, is given by the expression,

an

=

1Lcccos(nπxL)dx=(2cL)sinc(αn),

where, αnnπc/L. On the other hand, when a discrete Fourier transform is used, the analogous Fourier amplitude is given by the expression,

e[A(nΔy1)]

=

j=jmaxjmaxcos[nΔy1(2πλ𝒟)jcjmax].

Comparing the two expressions, we recognize first that the integer, n, has the same meaning in both; and, second, that xjc/jmax. Therefore — after recognizing that 𝒟Z — it must also be true that,

1L2Δy1λ𝒟2Δy1λZ.

Next we notice, from the "square wave" analysis, that since the amplitude of the the diffraction pattern, an, varies as sinc(αn), the first dark fringe will arise when αn=π, that is, when n=nπL/c. But, as explained above, from geometric arguments associated with the "one dimensional aperture" analysis, we expect the first dark fringe on the image screen to arise when,

y1Z

=

λ2c

2λZ

=

1y1c

Δy1y1c

=

2Δy1λZ1L

n

=

Lcn=nπ,

where this last relation has been derived by recognizing that, quite generally by design, y1=nΔy1. So, these two separate ways of identifying the location of the first dark fringe agree with one another.


COMMENT:   Throughout our discussion of computer-generated holography, we will find it necessary to construct a discretized image screen and, hence, will need to discuss the corresponding discretized modal amplitude ("sinc") function. This discretized amplitude function can be treated as a multiple-slit source function — reference, for example, frame c of Figure 5, below, which displays a 6 × 6 horizontal × vertical aperture layout — and, via an inverse Fourier transform, be used to regenerate the original square-wave (or analogous) function. This square wave of width, 2c, will necessarily be accompanied by multiple duplicate images that are spaced a (center-to-center) distance, 2L, apart. The result that we have just derived tells us that the relative spacing of these duplicate images will be large, relative to the width of the original square wave, if the discretization of the image screen is done in such a way as to ensure that nπ is a large number.

More Attention to Detail

Theory

Guided by our accompanying discussion of the relationship between a one-dimensional aperture and the Fourier Series, let's begin again with the above general summation expression,

A(y1)

=

jajei(2πDj/λ+ϕj)

 

jajexp{i[2πL1λ2πy1YjL1λ+ϕj]}

 

=

jajexp{i[2πL1λ2πy1Y0L1λ2πjy1ΔYL1λ+ϕj]}

 

=

jajexp{i[2πL1λ2πy1Y0L1λ+ϕj]}[cos(2πy1jΔYλL1)isin(2πy1jΔYλL1)]

 

=

exp{i[2πL1λ2πy1Y0L1λ]}jajeiϕj[cos(2πy1jΔYλL1)isin(2πy1jΔYλL1)],

where, 0jjmax,

L1

[Z2+y12]1/2Z(1+y122Z2),

and we have inserted the following expression in order to identify discrete locations along the aperture,

Yj

=

Y0+jΔY=w2+j(wjmax).

Now, let's adopt the following conventions:

  1. Specify the values of the parameters, λ,w,c/𝔏0, and Z0, where,
    𝔏λZjmax/(2w)     … hence …     𝔏0=λZ0jmax/(2w).
  2. In specifying the properties of the light as it leaves the aperture, ensure that neither aj nor ϕj depends on the distance between the aperture and the image plane, Z.
  3. It is best to evaluate the amplitude on the image screen over the range, 𝔏0yi𝔏0.
  4. Expect the amplitude to be 2c/𝔏0.

With this in mind, the expression for the image-screen amplitude can be rewritten as,

A(y1)

exp{i[2πZλ(1+y122Z20)+πy1wZλ(ZL11)]}jajeiϕj{cos[(πjy1)2wλZjmax(ZL11)]isin[(πjy1)2wλZjmax(ZL11)]}

 

exp{i[2πZλ+πy1wZλ]}jajeiϕj{cos(πjy1𝔏)isin(πjy1𝔏)}.

First (Misguided) Attempt

Next, let's set ϕj=2πZ0/λ, which is independent of j and therefore can be shifted outside of the summation. We have, then,

A(y1)

exp{i[2π(ZZ0)λ+πy1wZλ]}jaj{cos(πjy1𝔏)isin(πjy1𝔏)}.

Let's set,

ϕj

=

2πZ0λπy1wZ0λ,

which is independent of j and therefore can be shifted outside of the summation. We have, then,

A(y1)

exp{i[2π(ZZ0)λ+πy1wZλ]}jaj{cos(πjy1𝔏)isin(πjy1𝔏)}.

Using this general expression, we should specifically expect the amplitude across the image plane at Z0 to be a step function if we insert the expression,

aj

=

2jπsin(jπc𝔏0)=(2c𝔏0)sinc(jπc𝔏0).

Hopefully, the amplitude of this image will die off quickly as we insert values of ZZ0.

Example #1

Let's try an example using the parameters listed at the top of Figure 4.

Figure 4:   w=1mm;Z0=10m;λ=500nm;jmax=51

Second Plot of Single-Slit Diffraction Pattern

Feynman's Path-Integral Formulation

YouTube video:
Richard P. Feynman's 1979 Lectures
at the University of Auckland, NZ

YouTube video:
Physics With Elliot

Feynman's 1979 Lectures

Physics with Elliot

Book
resulting from Auckland lectures
QED: The Strange Theory of Light and Matter


Figure 24 in QED
Figure 24 in QED


Arrow Ensemble Part 1
Arrow Ensemble Part 1


Arrow Ensemble Part 2
Arrow Ensemble Part 2

Multiple One-Dimensional Apertures

Okay. Let's piece together an image that is generated by a set of N, identical one-dimensional apertures; each one is uniformly illuminated, but adjacent apertures will, in general, have different illuminations, βm. Each aperture has width, 2c; and each is separated from its two neighboring apertures by a distance, 2ν. (Reference frames b and c of Figure 5, below, which display, respectively, a 2 × 2 and 6 × 6 aperture-matrix layout in which all apertures are uniformly illuminated.)

Two Slits

Starting with just a pair of slits (as illustrated in frame b of Figure 5) and setting the x-direction zero point exactly midway between the two, we can expand upon the accompanying Example #2 discussion to obtain,

an

=

1L{νν+2cβ+1cos(nπxL)dx+(ν+2c)νβ1cos(nπxL)dx}

 

=

1nπ{nπν/Lnπ(ν+2c)/Lβ+1cosθdθ+nπ(ν+2c)/Lnπν/Lβ1cosθdθ}

 

=

1nπ{β+1[sinθ]nπν/Lnπ(ν+2c)/L+β1[sinθ]nπ(ν+2c)/Lnπν/L}

 

=

1nπ{β+1[sin(nπνL+2nπcL)sin(nπνL)]+β1[sin(nπνL)sin(nπνL2nπcL)]}

 

=

β+1+β1nπ[sin(nπνL+2nπcL)sin(nπνL)];

bn

=

1nπ{nπν/Lnπ(ν+2c)/Lβ+1sinθdθ+nπ(ν+2c)/Lnπν/Lβ1sinθdθ}

 

=

1nπ{β+1[cosθ]nπν/Lnπ(ν+2c)/Lβ1[cosθ]nπ(ν+2c)/Lnπν/L}

 

=

1nπ{β+1[cos(nπνL+2nπcL)cos(nπνL)]β1[cos(nπνL)cos(nπνL2nπcL)]}

 

=

1nπ{β+1[cos(nπνL+2nπcL)cos(nπνL)]β1[cos(nπνL+2nπcL)cos(nπνL)]}

 

=

β1β+1nπ[cos(nπνL+2nπcL)cos(nπνL)].

Note that,

a0

=

1L{νν+2cβ+1dx+(ν+2c)νβ1dx}

 

=

1L{β+1[ν+2cν]+β1[ν+(ν+2c)]}

 

=

2c(β++β)L.

Considering, first, the case where the two slits are illuminated equally (β=β+), we see that bn=0, so the amplitude is,

|an|

=

2nπ|sin(nπνL+2nπcL)sin(nπνL)|

 

=

2cLχn|sin(χnνc+2χn)sin(χnνc)|

 

=

2cLχn|sin[(χnνc+χn)+χn]sin[(χnνc+χn)χn]|

 

=

4cL|cos[χn(1+νc)]sinχnχn|,

where,

χnnπcL.

In the following animated figure, the red-dotted curve shows how L4c|an| varies with χn/π for a variety of values of the dimensionless parameter, 0.01ν/c5, as recorded in the upper-right-hand corner of the plot.

Figure 4:  Double-Aperture Diffraction Pattern — Variable ν/c
Diffraction pattern for two-slit aperture
Diffraction pattern for two-slit aperture

The static, dashed-black curve in the figure displays the function,

sinc(2χn)=sin(2χn)2χn,

which is the proper amplitude behavior in the limit of ν/c0. The static, solid black curve in the figure displays the function, sinc(χn); by inspection, this curve serves as the upper envelope to the amplitude function for all values of the dimensionless parameter, ν/c.

Two (or more) Slit Pairs

Now, let's examine four identical slits.

an

=

1L{(3ν+2c)(3ν+4c)β+2cos(nπxL)dx+νν+2cβ+1cos(nπxL)dx+(ν+2c)νβ1cos(nπxL)dx+(3ν+4c)(3ν+2c)β2cos(nπxL)dx}

 

=

1nπ{nπ(3ν+2c)/Lnπ(3ν+4c)/Lβ+2cosθdθ+nπν/Lnπ(ν+2c)/Lβ+1cosθdθ+nπ(ν+2c)/Lnπν/Lβ1cosθdθ+nπ(3ν+4c)/Lnπ(3ν+2c)/Lβ2cosθdθ}

 

=

1nπ{β+2[sinθ]nπ(3ν+2c)/Lnπ(3ν+4c)/L+β+1[sinθ]nπν/Lnπ(ν+2c)/L+β1[sinθ]nπ(ν+2c)/Lnπν/L+β2[sinθ]nπ(3ν+4c)/Lnπ(3ν+2c)/L}

 

=

1nπ{β+2[sin(3nπνL+4nπcL)sin(3nπνL+2nπcL)]+β2[sin(3nπνL2nπcL)sin(3nπνL4nπcL)]

 

 

+β+1[sin(nπνL+2nπcL)sin(nπνL)]+β1[sin(nπνL)sin(nπνL2nπcL)]}

 

=

1nπ{(β+2+β2)[sin(3nπνL+4nπcL)sin(3nπνL+2nπcL)]+(β+1+β1)[sin(nπνL+2nπcL)sin(nπνL)]}

 

=

(β+2+β2)nπ{sin[nπL(3ν+4c)]sin[nπL(3ν+2c)]}+(β+1+β1)nπ{sin[nπL(ν+2c)]sin[nπL(ν)]}.


Note that,

a0

=

1L{(3ν+2c)(3ν+4c)β+2dx+νν+2cβ+1dx+(ν+2c)νβ1dx+(3ν+4c)(3ν+2c)β2dx}

 

=

1L{β+2[(3ν+4c)(3ν+2c)]+β+1[ν+2cν]+β1[ν+(ν+2c)]+β2[(3ν+2c)+(3ν+4c)]}

 

=

2c(β2+β1+β+1+β+2)L.

Therefore, for an arbitrary number of slit pairs, jslits, it appears as though,

an

=

j=1jslits(β+j+βj)nπ{sin{nπL[(2j1)(ν+c)+c]}sin{nπL[(2j1)(ν+c)c]}}

 

=

j=1jslits2(β+j+βj)nπ{cos[nπ(2j1)(ν+c)L]sin[nπcL]}

 

=

j=1jslits2c(β+j+βj)L{cos[χn(2j1)(1+νc)]sinχnχn}

 

=

2cLsinχnχnj=1jslits(β+j+βj)cos[χn(2j1)(1+νc)],

where, as before, χn(nπc/L), with the special case,

a0

=

2cLj=1jslits[β+j+βj].

Behavior of an when β±j=1 for all j, and in the limit, νc0.

When jslits=1:

an

=

2cLsinχnχn(2)cosχn

 

=

4cLsin(2χn)(2χn)

When jslits=2:

an

=

2cLsinχnχn{j=12(2)cos[χn(2j1)]}

 

=

4cLsinχnχn{cosχn+cos(3χn)}

 

=

4cLsinχnχn{cosχn+4cos3χn3cosχn}

 

=

4cLsinχncosχnχn{4cos2χn2}

 

=

4cLsinχncosχnχn{24sin2χn}

 

=

8cLsin(4χn)(4χn).

When jslits=3:

an

=

4cLsinχnχn{j=13cos[χn(2j1)]}

 

=

4cLsinχnχn{cosχn+cos(3χn)+cos(5χn)}

 

=

4cLsinχnχn{cosχn+[4cos3χn3cosχn]+[16cos5χn20cos3χn+5cosχn]}

 

=

4cLsinχncosχnχn{316cos2χn+16cos4χn}

 

=

12cLsin(6χn)6χn

Therefore, it appears as though, for arbitrary values of jslits1,

an

=

4jslitscLsin(2jslitsχn)(2jslitsχn)

=

(2c)(2jslits)Lsinc(2jslitsχn)


I have not yet proven that the above, generalized expression for an works for all values of jslits. To do so will likely involve enlisting the following two generalized trigonometric (Multiple-angle) relations that appear on p. 190 of my CRC handbook of Standard Mathematical Tables.

sin(nα)

=

2sin[(n1)α]cosαsin[(n2)α],

cos(nα)

=

2cos[(n1)α]cosαcos[(n2)α].

VARIOUS SCALINGS:

  1. Given that β has units of brightness per unit length, with β0 referring to the brightness per unit length that is incident on the single slit; and, given that in the above formulation each separate slit has a width of 2c, the total brightness emerging from a uniformly illuminated multi-slit configuration is,

    btot=2jslits(2cβ0).

    Hence, in order for every configuration's total brightness to be the same — that is, to be equal to 2c0β0, where c0 is the half-width of the single slit — in each case we need to set cc0/(2jslits).

  2. As is illustrated by frame a of Figure 5, below, the total width of the single slit is 2c0, while — see frames b and c of Figure 5 — the total width of the combined slit(s) is

    Ctot=(2jslits)2c+(2jslits1)2ν.

    Hence, if we want the ratio of the slit width to the Fourier width, 2L, to be the same for each multi-slit example, in each case we need to set,

    Ctot2L

    =

    c0L0

    LL0Ctot2c0

    =

    L0c0[(2jslits)c+(2jslits1)ν]

    Or, put together, we have,

    L

    L0[1+(2jslits1)ν(2jslits)c]

 

Figure 5
Frame a:  Single Aperture Frame b:  Double Aperture (jslits=1) Frame c:  Multiple Apertures (jslits=3)
Single Aperture
Single Aperture
DoubleSlit
DoubleSlit
Multiple Apertures
Multiple Apertures

Incorporating these normalizations, we have,

an

=

c0jslitsL0[1+(2jslits1)ν(2jslits)c]1sinχnχnj=1jslits(β+j+βj)cos[χn(2j1)(1+νc)],

and,

a0

=

c0jslitsL0[1+(2jslits1)ν(2jslits)c]1j=1jslits[β+j+βj],

where,

χnnπcL

=

nπc02jslitsL0[1+(2jslits1)ν(2jslits)c]1.

Figure 6

c0L0=120     and     νc=110    for various jslits

Diffraction pattern for multi-slit aperture
Diffraction pattern for multi-slit aperture

By generalizing, we also see that,

bn

=

1nπ{nπν/Lnπ(ν+2c)/Lβ+1sinθdθ+nπ(ν+2c)/Lnπν/Lβ1sinθdθ}

 

=

1nπ{β+1[cosθ]nπν/Lnπ(ν+2c)/Lβ1[cosθ]nπ(ν+2c)/Lnπν/L}

 

=

1nπ{β+1[cos(nπνL+2nπcL)cos(nπνL)]β1[cos(nπνL)cos(nπνL2nπcL)]}

 

=

1nπ{β+1[cos(nπνL+2nπcL)cos(nπνL)]β1[cos(nπνL+2nπcL)cos(nπνL)]}

 

=

β1β+1nπ[cos(nπνL+2nπcL)cos(nπνL)].

Considering, first, the case where the two slits are illuminated equally (β=β+), we see that bn=0, so the amplitude is,

|an|

=

2nπ|sin(nπνL+2nπcL)sin(nπνL)|

 

=

2cLχ|sin(χνc+2χ)sin(χνc)|,

where,

χnπcL.